![]() ![]() Viewers came out of the film believing the severed head of actress Gwyneth Paltrow, who played Pitt’s wife, appeared onscreen. Se7en opened against Showgirls.Īs with Alfred Hitchcock’s Psycho and its legendary shower scene, audiences believed they were shown more than they were. His work was so compelling, director Zack Snyder once said that some directors refuse to use him because he “makes title sequences better than the movie.” 8. The New York Times hailed Cooper’s work as a step forward in filmmaking the designer would go on to high-profile projects including the Spider-Man series and Dawn of the Dead. That’s when he called Kyle Cooper, a Yale graduate who created a kinetic opening montage of John Doe’s journals set to a Nine Inch Nails song. But when Fincher had to screen a rough cut for studio executives, he needed some filler. Even Se7en’s title sequence was revolutionary.įincher originally intended to open the film with scenes of Detective Somerset visiting a home in the country and taking the train back. The film’s lone on-camera murder happens only when Mills kills Doe for murdering his wife. ![]() David Fincher signed on to direct Se7en because of a mix-up.ĭespite extended examinations of tortured, bloated, or insect-infested corpses, virtually all of the actual bloodletting in Se7en takes place before Detectives Somerset (Morgan Freeman) and Mills arrive on the scene. (After reading it, Koepp also advised Walker that he "needed professional help.") 2. Koepp agreed to send it to his agent, who found a buyer in New Line Cinema. Satisfied with the outcome, he sent the script to professional writer David Koepp, then followed up with a phone call. Making ends meet at a New York City Tower Records store, Walker was so depressed that he wrote a bleak and oppressive script about the hunt for a killer who uses the seven deadly sins as inspiration for his crimes. Several years later, however, he was no closer to achieving his goal of working in the industry. Screenwriter Andrew Kevin Walker was a graduate of Penn State’s film program. Se7en came from the mind of a record store employee. But with audience fatigue setting in, few expected that 1995’s Se7en-from a first-time screenwriter and an as-yet-unproven director-would turn out to be a modern genre classic. While the 1980s were all about the cinematic mass murderer as a mute, emotionless entity, the 1990s were a good time to peddle screenplays about high-IQ serial killers: The Silence of the Lambs started the decade by becoming one of the few thrillers to ever receive a Best Picture Oscar. ![]()
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